Manji spin orientation explanation from Japan with a water "windmill".
卐𓆝 𓆟 𓆞r̾eⷲsͣe̾aͭrͥcⷦhͣ
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YEEEEEE 卐
@swastichat
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卐𓆝 𓆟 𓆞r̾eⷲsͣe̾aͭrͥcⷦhͣ (English)
Are you someone who is constantly seeking knowledge and new information? Look no further, as the "卐𓆝 𓆟 𓆞r̾eⷲsͣe̾aͭrͥcⷦhͣ" Telegram channel is here to fulfill all your research needs. This channel, managed by the @swastikaresearchgroup, offers a wide range of topics and discussions for those who have a thirst for learning. From scientific breakthroughs to historical mysteries, this channel covers it all
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卐𓆝 𓆟 𓆞r̾eⷲsͣe̾aͭrͥcⷦhͣ
27 Jan, 02:04
A diagram from the Journal of Geomancy and Ancient Mysteries (founded by Nigel Pennick) vol. 4 no. 1, October 1979 relating to the Rosa Camuna of Val Camonica and other locations and Ursa Major.
卐𓆝 𓆟 𓆞r̾eⷲsͣe̾aͭrͥcⷦhͣ
27 Jan, 01:41
A spectacular pattern in which the outline of the swastika forms the ‘Etruscan swastika’. It is possible that the pattern is intended to depict the two types of swastikas that may be formed by Draco and The Chariots. Although it could be accidental.
In Japan, Manji tsunagi (万字繋) is the name for the pattern family that connects several swastikas of the same direction horizontally or tilted and it includes this pattern.
Images - Notre-Dame Du Bourg church in Rabastens, Amiens Cathedral, Pattern from a 10th century textile from Novgorod, Etruscan funerary urn.
In Japan, Manji tsunagi (万字繋) is the name for the pattern family that connects several swastikas of the same direction horizontally or tilted and it includes this pattern.
Images - Notre-Dame Du Bourg church in Rabastens, Amiens Cathedral, Pattern from a 10th century textile from Novgorod, Etruscan funerary urn.
卐𓆝 𓆟 𓆞r̾eⷲsͣe̾aͭrͥcⷦhͣ
25 Jan, 23:40
Whilst the composite is a close match, the head of Draco has to join with the position of Ursa Minor from a different period of the rotation, 3 months later, which might actually explain the reason for the existence of the petroglyph, that it had to drawn out in order to be seen.
Furthermore, the entirety of the premise of swastikas composed of constellations around the pole star is that they cannot be seen at any one time, they are a collage of views of it throughout the change of the seasons. Could the Triskele be explained by the fact that some cultures saw a year as having 3 seasons instead of 4? It should be noted that it is unlikely for the stars to be the origin and meaning of the swastika and triskele, rather one of the artefacts of nature in which it is visible, for it may be not a man-made symbol, but one made by nature.
Furthermore, the entirety of the premise of swastikas composed of constellations around the pole star is that they cannot be seen at any one time, they are a collage of views of it throughout the change of the seasons. Could the Triskele be explained by the fact that some cultures saw a year as having 3 seasons instead of 4? It should be noted that it is unlikely for the stars to be the origin and meaning of the swastika and triskele, rather one of the artefacts of nature in which it is visible, for it may be not a man-made symbol, but one made by nature.
卐𓆝 𓆟 𓆞r̾eⷲsͣe̾aͭrͥcⷦhͣ
25 Jan, 23:28
It is also possible to see a similarity of the ‘Dragon swastika’ to the cup and dot Rosa Camuna swastika variation common to the Val Camonica petroglyph area in Northern Italy. The inner dots might correspond to Ursa Minor and Thuban. Note that the image of the Rosa Camuna has been flipped.
Why then does its shape describe a clockwise motion, whereas the stars turn anti-clockwise around the pole?
Perhaps the design relates to the shamanic practice of ascent up the ‘Pillar of the World’ (to use the Lapp term). Numerous Siberian and northern European peoples … see the Pole Star as the summit of a pole holding up the sky. Eliade notes similar beliefs about the Pole Star in Ancient Saxon, Scandinavian and Romanian myths. If one imagines the Swastika design to be the base of a Pillar of the World, the implicit motion of the design makes sense. Something that appears to turn anti-clockwise when looking up from the bottom of a pole will, if it slides down the pole and is viewed from above, appear to turn clockwise.
Why then does its shape describe a clockwise motion, whereas the stars turn anti-clockwise around the pole?
Perhaps the design relates to the shamanic practice of ascent up the ‘Pillar of the World’ (to use the Lapp term). Numerous Siberian and northern European peoples … see the Pole Star as the summit of a pole holding up the sky. Eliade notes similar beliefs about the Pole Star in Ancient Saxon, Scandinavian and Romanian myths. If one imagines the Swastika design to be the base of a Pillar of the World, the implicit motion of the design makes sense. Something that appears to turn anti-clockwise when looking up from the bottom of a pole will, if it slides down the pole and is viewed from above, appear to turn clockwise.
卐𓆝 𓆟 𓆞r̾eⷲsͣe̾aͭrͥcⷦhͣ
25 Jan, 23:16
Mock-ups of how the swastika in the sky throughout the changing seasons may have looked when Thuban/Alpha Draconis was the Pole star and the constellation Draco revolved around the celestial pillar of the northern hemisphere. Note the similarity to the Etruscan swastika variation that commonly featured on funerary urns.
卐𓆝 𓆟 𓆞r̾eⷲsͣe̾aͭrͥcⷦhͣ
25 Jan, 23:13
Etruscan funerary urns with a particular swastika variation
卐𓆝 𓆟 𓆞r̾eⷲsͣe̾aͭrͥcⷦhͣ
24 Jan, 11:50
स्वस्तिक
Swa sti ka: स्व स्ति क
swa means “higher self,” asti means “being,” and ka is a suffix. The word may be understood as “being with higher self.”
Su asti ka: सु अस्ति क
su means “good" and asti means "existence", and ka is a suffix. “That which is good” or “auspicious symbol”.
Does anybody know which one is the correct translation of the Sanskrit word?
Swa sti ka: स्व स्ति क
swa means “higher self,” asti means “being,” and ka is a suffix. The word may be understood as “being with higher self.”
Su asti ka: सु अस्ति क
su means “good" and asti means "existence", and ka is a suffix. “That which is good” or “auspicious symbol”.
Does anybody know which one is the correct translation of the Sanskrit word?
卐𓆝 𓆟 𓆞r̾eⷲsͣe̾aͭrͥcⷦhͣ
18 Jan, 12:34
Hitler's sketch from 1920: "The sacred symbols of the Germanic peoples. One of these symbols should be raised again by us."
卐𓆝 𓆟 𓆞r̾eⷲsͣe̾aͭrͥcⷦhͣ
17 Jan, 21:19
Dindel de piedra con influencia Teotihuacana, que evoca a Quetzalcoatl.
https://t.me/esvastika88
https://t.me/esvastika88
卐𓆝 𓆟 𓆞r̾eⷲsͣe̾aͭrͥcⷦhͣ
16 Jan, 22:31
5000 Years of the Swastika. From the Old Norse Sun Sign to the Symbol of Eternal Germany - Walter Heinzel (1941) Translated from German
卐𓆝 𓆟 𓆞r̾eⷲsͣe̾aͭrͥcⷦhͣ
16 Jan, 13:22
5000 Jahre Hakenkreuz. Vom altnordischen Sonnezeichen zum Symbol des ewigen Deutschlands - Walter Heinzel (1941)
Walter Heinzel: 5000 Years of the Swastika. From the Old Norse Sun Sign to the Symbol of Eternal Germany (1941)
Walter Heinzel: 5000 Years of the Swastika. From the Old Norse Sun Sign to the Symbol of Eternal Germany (1941)
卐𓆝 𓆟 𓆞r̾eⷲsͣe̾aͭrͥcⷦhͣ
16 Jan, 13:19
Das Hakenkreuz nach Ursprung, Vorkommen und Bedeutung - Ludwig Wilser (1917) via @Die_Buechersammlung
The Swastika according to origin, occurrence and meaning - Ludwig Wilser (1917; many new editions)
The Swastika according to origin, occurrence and meaning - Ludwig Wilser (1917; many new editions)
卐𓆝 𓆟 𓆞r̾eⷲsͣe̾aͭrͥcⷦhͣ
16 Jan, 11:38
Badge of the "Princess Maria" Society, approx. 1910. The reverse of the badge is inscribed with the name of the society: Soc. Princess Mary.
Exhibited: History of the Romanians between the Principalities and the Kingdom, Part II.
Exhibited: History of the Romanians between the Principalities and the Kingdom, Part II.
卐𓆝 𓆟 𓆞r̾eⷲsͣe̾aͭrͥcⷦhͣ
16 Jan, 11:36
Christmas card sent by Queen Maria of Romania to Lady Dering sending her a loving xmas greeting. The card bears the swastika of Queen Mary embossed in the upper left corner.
卐𓆝 𓆟 𓆞r̾eⷲsͣe̾aͭrͥcⷦhͣ
12 Jan, 22:51
John S. Wade - Sun and Fire Symbols from Denmark (earlier Bronze Age), “Ars Quatuor Coronatorum ”.
卐𓆝 𓆟 𓆞r̾eⷲsͣe̾aͭrͥcⷦhͣ
02 Jan, 08:50
This map from "Die Beizeichen auf den völkerwanderungszeitlichen Goldbrakteaten" by Charlotte Behr shows the distribution of bracteates with a swastika (fylfot).
They are mainly in Denmark and Southern Sweden.
They are mainly in Denmark and Southern Sweden.
卐𓆝 𓆟 𓆞r̾eⷲsͣe̾aͭrͥcⷦhͣ
31 Dec, 10:14
A Roman altar to Jupiter from Birdoswald along Hadrian’s Wall, with two sun crosses and a swastika. The inscription reads:
ⴲ 卐 ⴲ
“I(ovi) O(ptimo) M(aximo)
c[o]h(ors) I
Aelia
Daco[r-]
um Aug(usta)
[cui] p(raeest) Aur(elius)”
ⴲ 卐 ⴲ
“To Jupiter, Best and Greatest, the First Aelian Cohort of Dacians, styled Augusta, under the command of Aurelius.”
ⴲ 卐 ⴲ
“I(ovi) O(ptimo) M(aximo)
c[o]h(ors) I
Aelia
Daco[r-]
um Aug(usta)
[cui] p(raeest) Aur(elius)”
ⴲ 卐 ⴲ
“To Jupiter, Best and Greatest, the First Aelian Cohort of Dacians, styled Augusta, under the command of Aurelius.”
卐𓆝 𓆟 𓆞r̾eⷲsͣe̾aͭrͥcⷦhͣ
21 Dec, 16:17
Issai Nyoraichi-in, "Signature of the Possible Intellect of all the Buddhas."
Detail from a Shingon Garbhakosa-dhatu mandala. After Omura Seigai, Sanbon Ryobu Mandara.
Source: Elements of Buddhist Iconography - Ananda Coomaraswamy
Detail from a Shingon Garbhakosa-dhatu mandala. After Omura Seigai, Sanbon Ryobu Mandara.
Source: Elements of Buddhist Iconography - Ananda Coomaraswamy
卐𓆝 𓆟 𓆞r̾eⷲsͣe̾aͭrͥcⷦhͣ
19 Dec, 08:41
Coins from Knossos, Crete, with a swastika on one side, and a minotaur forming a swastika with his body on the other.
卐𓆝 𓆟 𓆞r̾eⷲsͣe̾aͭrͥcⷦhͣ
26 Nov, 23:40
https://telegra.ph/Philosophy-of-the-Swastika-by-Joseph-White-Norwood-IV-Ceremonial-Postures-06-06
卐𓆝 𓆟 𓆞r̾eⷲsͣe̾aͭrͥcⷦhͣ
26 Nov, 23:40
https://telegra.ph/Philosophy-of-the-Swastika-by-Joseph-White-Norwood-Article-no-5-06-06
卐𓆝 𓆟 𓆞r̾eⷲsͣe̾aͭrͥcⷦhͣ
19 Nov, 17:31
Överhogdalsbonaderna Jamtli Museum Östersund Jämtland Sweden. Old norse textils
卐𓆝 𓆟 𓆞r̾eⷲsͣe̾aͭrͥcⷦhͣ
20 Aug, 19:03
The overall purpose of Germany's Reichsnährstand, or State Food Society (1933-1945), was to achieve autarchy, or self-sufficiency, a core principle of nationalist ideology. Its emblem symbolized this purpose: a wheat ear, representing food abundance, next to a sword, representing its defense, against a background of the swastika, an ancient symbol of the circulation of sunlight, cosmic rotation, and the course of the year. By the outbreak of World War II, Germany was producing over 80% of its own food.
卐𓆝 𓆟 𓆞r̾eⷲsͣe̾aͭrͥcⷦhͣ
04 Aug, 09:02
Климент Ворошилов had no problem wearing the Finnish 卐. Here he is pictured between J. K. Paasikivi and U. K. Kekkonen — all three of whom are sporting an identical 卐 chain.
@swastikaresearchgroup
@swastikaresearchgroup
卐𓆝 𓆟 𓆞r̾eⷲsͣe̾aͭrͥcⷦhͣ
14 Jul, 01:32
The Fused Grid is a street network pattern first proposed in 2002 and subsequently applied in Calgary, Alberta (2006) and in Stratford, Ontario (2004). It represents a synthesis of two well known and extensively used network concepts: the "grid" and the “Radburn” pattern, derivatives of which are found in most city suburbs. Both concepts were self-conscious attempts to organize urban space for habitation. The grid was conceived and applied in the pre-automotive era of cities starting circa 2000 BC and prevailed until about 1900 AD. The Radburn pattern emerged in 1929 about thirty years following the invention of the internal combustion engine powered automobile and in anticipation of its eventual dominance as a means for mobility and transport. Both these patterns appear throughout North America. “Fused” refers to a systematic recombination of the essential characteristics of each of these two network patterns.
卐𓆝 𓆟 𓆞r̾eⷲsͣe̾aͭrͥcⷦhͣ
10 Jun, 18:10
Upper view of sculpture of seated figure, Lowland Maya culture
Source
Source
卐𓆝 𓆟 𓆞r̾eⷲsͣe̾aͭrͥcⷦhͣ
10 Jun, 18:09
Sculpture with engraved double swastika and seated figure, western court, Lowland Maya culture
Source
Source
卐𓆝 𓆟 𓆞r̾eⷲsͣe̾aͭrͥcⷦhͣ
03 Jun, 17:46
The Dupljaja car, archaeological artefact from 1500 BC, from the Dubovac culture from the Middle Bronze Age.
City museum of Vrsac, Serbia
City museum of Vrsac, Serbia
卐𓆝 𓆟 𓆞r̾eⷲsͣe̾aͭrͥcⷦhͣ
01 Jun, 11:17
Gold bracteate from Pliezhausen, Germany.
卐 in green.
@swastikaresearchgroup
卐 in green.
@swastikaresearchgroup
卐𓆝 𓆟 𓆞r̾eⷲsͣe̾aͭrͥcⷦhͣ
01 Jun, 11:17
Gold bracteate from Pliezhausen, Germany.
卐 in green.
@swastikaresearchgroup
卐 in green.
@swastikaresearchgroup
卐𓆝 𓆟 𓆞r̾eⷲsͣe̾aͭrͥcⷦhͣ
08 May, 07:02
A Tursaansydän ('Heart of Tursas') symbol on a wooden box from Ylivieska, Finland (1754).
[ 卐 @swastikaresearchgroup 卍 ]
[ 卐 @swastikaresearchgroup 卍 ]
卐𓆝 𓆟 𓆞r̾eⷲsͣe̾aͭrͥcⷦhͣ
23 Apr, 22:28
Stunning raven fylfot brooch from Aschheim, Bavaria, 6th Century.
卐𓆝 𓆟 𓆞r̾eⷲsͣe̾aͭrͥcⷦhͣ
23 Apr, 08:03
An exquisite wooden chair from a burial in Wremen, Lower Saxony, 5th Century. Carved from a single piece of alder, with a healthy dose of fylfots. Chairs with backrests were uncommon in the Germanic Iron Age, and this likely was a throne of sorts; or perhaps a seer’s seiðhjell.
卐𓆝 𓆟 𓆞r̾eⷲsͣe̾aͭrͥcⷦhͣ
09 Apr, 19:35
Postcard from 1919.
'The Swastika
Scorned by hostile forces,
defeated by wild superior force,
Let us hold the symbol sacred,
which radiates like the sun through the night.
In the old days of our fathers it
was a symbol of becoming and of light,
so let us carry it in honor
to the terror of that dark creature.
As a feud symbol it should appear
against mammon's deceit and trickery,
and it should steel and unite
what is of German blood and thought.'
'The Swastika
Scorned by hostile forces,
defeated by wild superior force,
Let us hold the symbol sacred,
which radiates like the sun through the night.
In the old days of our fathers it
was a symbol of becoming and of light,
so let us carry it in honor
to the terror of that dark creature.
As a feud symbol it should appear
against mammon's deceit and trickery,
and it should steel and unite
what is of German blood and thought.'
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