This last probably refers to the consort of the Mighty Lord of Supreme Joy, Garab Wangchug, who is known as Queen [Demoness], Tsünmo (btsun mo [bdud], devī[māra]).
According to the inscription of the block-print the Mighty Lord of Supreme Joy, Garab Wangchug, is in the center, where he remains with his consort. The other directions of the maṇḍala are indicated by the emblems of the remaining four buddha families – wheel, jewel, lotus flower, and sword – which are found in the east, south, west, and north with the colors blue, yellow, red, and black (instead of green). As the demons depicted in the page of the Himalayan Art Resources (HAR) are colored images, at times with inscription of the color of the deity or demon, we may also compare the colors of the Four Māra. As the central demonic force tis he Mighty Lord of Supreme Joy together with his consort, the eastern direction of the wheel is hold by the blue Māra of the Sons of the Gods, the southern direction of the jewel by the yellow Māra of One’s Aggregates, the western direction of the lotus flower by the red Māra of One’s Afflictive and Negative Emotions, and the northern direction of the sword by the black Māra of the Lord of Death. Thus, the order and direction in the maṇḍala is found as follows:
Center, white: Mighty Lord of Supreme Joy Garab Wangchug with his consort, the Queen Demoness (dga’ rab dbang phyug, btsun mo bdud),
East, blue: Māra of the Sons of the Gods, Lha’i bu’i Düd (lha'i bu'i bdud, devaputramāra),
South, yellow: Māra of One’s Aggregates, one’s psycho-physical constituents, Phüngpo’i Düd, (phung po'i bdud, skandhamāra),
West, red: Māra of One’s Afflictive and Negative Emotions, Nyönmong kyi Düd (nyon mongs kyi bdud, kleśamāra), and
North, black: Māra of the Lord of Death, Chidag gi Düd ('chi bdag gi bdud, mṛtyumāra).
Instead, the colors of the demons from HAR are different and the order and direction in the maṇḍala is found as follows:
Center, white: Mighty Lord of Supreme Joy Garab Wangchug with his consort, the Queen Demoness (dga’ rab dbang phyug, btsun mo bdud),
East, blue: Māra of One’s Aggregates, one’s psycho-physical constituents, Phüngpo’i Düd, (phung po'i bdud, skandhamāra),
South, yellow: Māra of One’s Afflictive and Negative Emotions, Nyönmong kyi Düd (nyon mongs kyi bdud, kleśamāra),
West, red: Māra of the Sons of the Gods, Lha’i bu’i Düd (lha'i bu'i bdud, devaputramāra), and
North, black: Māra of the Lord of Death, Chidag gi Düd ('chi bdag gi bdud, mṛtyumāra).
Whatever, their associated directions within the maṇḍala may be, the central direction of the wheel has changed with the eastern direction of the vajra. Therefore, the central and most important point is the vajra family in the center, which is here represented by the five arrows (mda’ lnga) held in the quiver of the Mighty Lord of Supreme Joy Garab Wangchug; after he releases the wish-fulfilling jewel held close to his heart he is ready to shoot off the five arrows, which represent all kinds of hindrances and obstacles (bar chad) caused by the five poisons (dug lnga) and the six main and twenty secondary negative and afflictive emotions (rtsa nye nyon mongs, mūlakleśa upakleśa).
Regarding one’s five poisons (dug lnga, pañca kleśaviṣa), as the vajra family, which usually represents the negative and afflictive emotion of anger-aversion (zhe sdang, dveṣa), is also associated with ignorance (ma rig pa, avidyā), this correlates with certain dzogchen instructions. Moreover, it is in accord with Tulku Urgyen’s statement cited before.
Compiled by pema, 2024, November 13th
Original photo via Deni Roger; thank You! HAR https://www.himalayanart.org/search/set.cfm?setID=2554
Further reading: Revue d'Études Tibétaines, Number 2, April 2003 - Numéro spécial Lha srin sde brgyad
https://www.digitalhimalaya.com/collections/journals/ret/