"Afternoon in Naples", Paul Cézanne (19 January 1839 – 22 October 1906), French
Orphic Inscendence
@orphicinscendence
orphicinscendence.com
Orphic Inscendence (English)
Welcome to Orphic Inscendence, a Telegram channel dedicated to exploring the mystical and enlightening world of ancient wisdom and esoteric knowledge. Our channel is a hub for individuals who are passionate about delving into the depths of spirituality, philosophy, and the unknown
Orphic Inscendence is a place where seekers of truth can come together to discuss, share, and learn from each other. Whether you are a seasoned practitioner or a curious novice, our channel offers a space for all to engage in meaningful conversations and expand their understanding of the universe.
Who is Orphic Inscendence? We are a community of like-minded individuals who are drawn to the enigmatic and profound teachings of ancient civilizations, mystics, and philosophers. Our members come from diverse backgrounds and experiences, united in their quest for spiritual growth and enlightenment.
What is Orphic Inscendence? It is more than just a Telegram channel – it is a virtual sanctuary where you can explore the mysteries of existence, connect with fellow truth-seekers, and deepen your spiritual practice. Through thought-provoking discussions, educational resources, and shared experiences, Orphic Inscendence aims to inspire and empower individuals on their spiritual journey.
Join us on Orphic Inscendence to unlock the inner depths of your consciousness, discover hidden truths, and connect with a community of kindred spirits. Visit our website at orphicinscendence.com to learn more about our channel and to join the conversation. Let the journey to enlightenment begin!
Orphic Inscendence
16 Feb, 13:25
"Portrait of a Lady", Abanindranath Tagore (7 August 1871 – 5 December 1951), Indian
Abanindranath Tagore was a nephew of the poet Rabindranath Tagore and the founder of Bengal School of Art.
Abanindranath Tagore was a nephew of the poet Rabindranath Tagore and the founder of Bengal School of Art.
Orphic Inscendence
16 Feb, 00:20
"Venus and Her Satellites", William Etty (10 March 1787 – 13 November 1849), English
Orphic Inscendence
13 Feb, 23:35
"[...] reascends to the light by making use of the devil himself as a monstrous ladder: he escapes the terrible by means of terror; the horrible by means of horror."
- "The Esoterisim of Dante", Rene Guenon
- "The Esoterisim of Dante", Rene Guenon
Orphic Inscendence
10 Feb, 13:57
"Village Bathhouse", Aleksandr Gerasimov (12 August 1881 – 23 July 1963), Russian
Orphic Inscendence
05 Feb, 17:24
"And I, Shahid, only am escaped to tell thee—
God sobs in my arms. Call me Ishmael tonight."
- Agha Shahid Ali
Art: "Couple in Embrace", Sadequain (30 June 1930 – 10 February 1987), Pakistani
God sobs in my arms. Call me Ishmael tonight."
- Agha Shahid Ali
Art: "Couple in Embrace", Sadequain (30 June 1930 – 10 February 1987), Pakistani
Orphic Inscendence
05 Feb, 15:10
A Woman Sitting in the Edge of a Bed, Spanish School, 19th Century
Orphic Inscendence
04 Feb, 11:32
"The Prophet at the instant of his birth placed his left hand on the ground, and raising his right hand to heaven, pronounced the formula of the creed respecting the divine unity, and such light beamed from his mouth that the people of Mecca saw the houses of Shaam and their environs, the red dwellings of Yemen, and the white palaces of Istakhar in Fars."
Orphic Inscendence
03 Feb, 00:56
"Here We Make Love", Paul Gauguin (7 June 1848 – 8 May 1903), French
Orphic Inscendence
01 Feb, 14:29
"On Her Knees", Andrew Wyeth (July 12, 1917 – January 16, 2009), American
Orphic Inscendence
30 Jan, 10:36
In the soft hush of the ripening, desire lay unspoken
not because it was forbidden, but because it had already been tasted.
not because it was forbidden, but because it had already been tasted.
Orphic Inscendence
30 Jan, 00:27
"Autumn", Rockwell Kent (June 21, 1882 – March 13, 1971), American
Orphic Inscendence
29 Jan, 19:53
Blessed be the unmade bed that speaks of rest
Blessed be the worn books that hold wisdom's traces
Blessed be the simple table where bread is broken
Blessed be this body, temple of everyday miracles
Blessed be the worn books that hold wisdom's traces
Blessed be the simple table where bread is broken
Blessed be this body, temple of everyday miracles
Orphic Inscendence
29 Jan, 12:39
Jagaddhatri. Oil painting from Bengal.
"Jagatdhatri জগদ্ধাত্রী, 'Bearer of the World' is a form the goddess Durga, who is particularly worshipped in the Indian states of West Bengal. Her cult is directly derived from Tantra where she is a symbol of sattva beside Durga and Kali, respectably symbolized with Rajas and Tamas.
All gods like Indra, Varun, Vayu and others thought they were very powerful. They thought they are almighty and can do anything with their power. They forgot who is the real power of them. So Adi Shakti took their test. She came before them as Maya and created a grass before them. She said, "Oh mighty deva's please take that grass". They were laughing, then Indra sent Vayu to take that grass out. Vayu tried and tried but failed. Every god one by one tried but failed. Then Goddess Adi Shakti came before them and told them that every power of this universe is her. She is the power of the whole world. So all the Gods understood their fault. Goddess came before them as Goddess Jagaddhatri sitting on a lion. And their ego became an Elephant. That's how we see Goddess Jagaddhatri sitting on a lion and an elephant under her."
"Jagatdhatri জগদ্ধাত্রী, 'Bearer of the World' is a form the goddess Durga, who is particularly worshipped in the Indian states of West Bengal. Her cult is directly derived from Tantra where she is a symbol of sattva beside Durga and Kali, respectably symbolized with Rajas and Tamas.
All gods like Indra, Varun, Vayu and others thought they were very powerful. They thought they are almighty and can do anything with their power. They forgot who is the real power of them. So Adi Shakti took their test. She came before them as Maya and created a grass before them. She said, "Oh mighty deva's please take that grass". They were laughing, then Indra sent Vayu to take that grass out. Vayu tried and tried but failed. Every god one by one tried but failed. Then Goddess Adi Shakti came before them and told them that every power of this universe is her. She is the power of the whole world. So all the Gods understood their fault. Goddess came before them as Goddess Jagaddhatri sitting on a lion. And their ego became an Elephant. That's how we see Goddess Jagaddhatri sitting on a lion and an elephant under her."
Orphic Inscendence
27 Jan, 12:38
Gorodish: Abyssus abyssum invocat
Alba: What is “abyssus abyssum”?
Gorodish: It means the abyss calls the abyss.
"Diva" (1981) // Directed by Jean-Jacques Beineix
Alba: What is “abyssus abyssum”?
Gorodish: It means the abyss calls the abyss.
"Diva" (1981) // Directed by Jean-Jacques Beineix
Orphic Inscendence
26 Jan, 01:21
Some say they've seen a woman and a man appearing at the monastery gates once every season;
all miracles are footnotes to their story
all miracles are footnotes to their story
Orphic Inscendence
14 Jan, 20:31
“I don't share a man with another woman--even if she's his wife.”
Laura Antonelli on the set of “The Innocent” (1976) // Directed by Luchino Visconti. Photographed by Marisa Rastellini.
Laura Antonelli on the set of “The Innocent” (1976) // Directed by Luchino Visconti. Photographed by Marisa Rastellini.
Orphic Inscendence
14 Jan, 14:55
"[…] Beyond the North, beyond the ice, beyond death — our life, our happiness."
- "The Anti-Christ", Friedrich Nietzsche
Art: "Winter in the Rockies", Thomas Moran (1837 - 1926), American
- "The Anti-Christ", Friedrich Nietzsche
Art: "Winter in the Rockies", Thomas Moran (1837 - 1926), American
Orphic Inscendence
13 Jan, 22:32
"Bathsheba Observed by King David", Jan Matsys (c.1510 – 8 October 1575), Flemish
Orphic Inscendence
12 Jan, 13:42
"Not long ago the rain walked through this clearing
Like a surveyor. Now with tinsel bait
The lily of the valley's leaves are weighted.
And water got into the mullein's ears.
These are the frigid fir trees' quondam nurslings,
Their ear lobes stretched with dew; they shun the day.
And grow apart, single and solitary.
Even their odors separately disbursed.
When it is teatime in the summer villas,
The fog fills the mosquito's sail, and night.
Plucking the strings of a guitar but lightly.
Stands among pansies in a mistlike milk.
Then with nocturnal violet all is scented.
Faces and years. And thoughts. Every event
That from the thievish past can be commanded
And in the future taken from Fate’s hand."
- "Lyubka", Boris Pasternak
Like a surveyor. Now with tinsel bait
The lily of the valley's leaves are weighted.
And water got into the mullein's ears.
These are the frigid fir trees' quondam nurslings,
Their ear lobes stretched with dew; they shun the day.
And grow apart, single and solitary.
Even their odors separately disbursed.
When it is teatime in the summer villas,
The fog fills the mosquito's sail, and night.
Plucking the strings of a guitar but lightly.
Stands among pansies in a mistlike milk.
Then with nocturnal violet all is scented.
Faces and years. And thoughts. Every event
That from the thievish past can be commanded
And in the future taken from Fate’s hand."
- "Lyubka", Boris Pasternak
Orphic Inscendence
08 Jan, 23:52
"Christmastide Divination", Konstantin Makovsky (20 June 1839 – 17 September 1915), Russian
Orphic Inscendence
08 Jan, 18:49
"The Virgin and Child", Mewar, North India, Second Half of 18th Century
"Opaque pigments heightened with gold on paper, the Virgin Mary wearing a black veil and breastfeeding the Child, his head with a gold nimbus, within a pink medallion, a water-lilly pond below and a walled palace in the background, with attribution to the artist Shaykh Turab in nasta'liq script below, with red and yellow rules and aubergine borders." [Description from Christies]
"Opaque pigments heightened with gold on paper, the Virgin Mary wearing a black veil and breastfeeding the Child, his head with a gold nimbus, within a pink medallion, a water-lilly pond below and a walled palace in the background, with attribution to the artist Shaykh Turab in nasta'liq script below, with red and yellow rules and aubergine borders." [Description from Christies]
Orphic Inscendence
08 Jan, 12:49
"The Penitent Magdalene" by a follower Abraham Janssens (1575–1632)
Orphic Inscendence
06 Jan, 20:35
From "Autobiography of a Princess" (1975) // Directed by James Ivory
Orphic Inscendence
06 Jan, 11:54
"The Death of Queen Dido", Augustin Cayot (1667 - 1722), French
Orphic Inscendence
05 Jan, 13:51
"Woman Writing a Letter", Gerard ter Borch (December 1617 – 8 December 1681), Dutch
Orphic Inscendence
30 Dec, 22:50
"All is holy, all is holy, all is holy. There is nothing natural in nature, my boy, remember that well. The moment nature begins to seem natural to you, all will be lost, and something new will rise in its place. Farewell to the sky! Farewell to the sea!
What a beautiful sky. Close. Joyful. Does even the smallest portion seem to you devoid of its strangeness? Or unclaimed by a God? So it is with the sea. Look behind you. What do you see? Perhaps you think it is something natural? No. What you see behind your back is an apparition. The clouds reflect against the heavy, still waters... Look ahead at that dark line across the lustrous, oil-pink sea, and the shadows of trees and reeds... In every place your eyes rest, a God is hiding. And if, by some chance, a God is not there, He leaves the signs of His sacred presence: silence, the scent of grass or the cold of the freshwaters.
What man unveiled in the agriculture, what he glimpsed in the silence of grains, what wisdom he drew from this sacred communion, what truths he gleaned from the seeds surrendering their form to the depth and dark of the Earth only to rise again - all of this sung the hymn of resurrection, my dear! Yet now, this revelation speaks no more. What once stirred the soul, what once whispered of rebirth in the breaking of the seed has become a memory of a distant past that no longer concerns you."
- Pier Paolo Pasolini in "Medea"
What a beautiful sky. Close. Joyful. Does even the smallest portion seem to you devoid of its strangeness? Or unclaimed by a God? So it is with the sea. Look behind you. What do you see? Perhaps you think it is something natural? No. What you see behind your back is an apparition. The clouds reflect against the heavy, still waters... Look ahead at that dark line across the lustrous, oil-pink sea, and the shadows of trees and reeds... In every place your eyes rest, a God is hiding. And if, by some chance, a God is not there, He leaves the signs of His sacred presence: silence, the scent of grass or the cold of the freshwaters.
What man unveiled in the agriculture, what he glimpsed in the silence of grains, what wisdom he drew from this sacred communion, what truths he gleaned from the seeds surrendering their form to the depth and dark of the Earth only to rise again - all of this sung the hymn of resurrection, my dear! Yet now, this revelation speaks no more. What once stirred the soul, what once whispered of rebirth in the breaking of the seed has become a memory of a distant past that no longer concerns you."
- Pier Paolo Pasolini in "Medea"
Orphic Inscendence
28 Dec, 17:48
"Cross in the Mountains", Caspar David Friedrich (5 September 1774 – 7 May 1840), German
Orphic Inscendence
24 Dec, 00:01
Illustration for the Gogol's "Night Before Christmas" by Olga Ionaytis
Orphic Inscendence
23 Dec, 19:34
"Svetlana", Aleksandr Nikanorovich Novoskoltsev (1853 — 1919), Russian
"Svetlana is a Russian ballad written by Vasily Zhukovsky and published in 1813. It is often credited with popularizing the given name Svetlana, which is also the name of the protagonist."
"Svetlana is a Russian ballad written by Vasily Zhukovsky and published in 1813. It is often credited with popularizing the given name Svetlana, which is also the name of the protagonist."
Orphic Inscendence
22 Dec, 21:25
“No closer does the ivy clasp the tree,
The branches winding tightly together,
Than did those lovers who, so tenderly,
Their spirits felt upon their lips, forever
Tasting of that perfumed spice that surely
Nor India nor Sabaea offer;
Their deep joy formed the content of their speech,
While mingling two tongues, two languages each.”
- “Orlando Furioso”, Ariosto
The branches winding tightly together,
Than did those lovers who, so tenderly,
Their spirits felt upon their lips, forever
Tasting of that perfumed spice that surely
Nor India nor Sabaea offer;
Their deep joy formed the content of their speech,
While mingling two tongues, two languages each.”
- “Orlando Furioso”, Ariosto
Orphic Inscendence
21 Dec, 23:11
Elizabeth Taylor watching a boxing match in New York, 1960.
Photos by Paul Slade.
Photos by Paul Slade.
Orphic Inscendence
21 Dec, 22:08
"A Maid Milking a Cow in a Barn", Gerard ter Borch (December 1617 – 8 December 1681), Dutch
Orphic Inscendence
21 Dec, 14:36
The first poster for Puccini's "Madama Butterfly" by Adolfo Hohenstein (18 March 1854 – 12 April 1928)
Orphic Inscendence
21 Dec, 13:27
"A Study of a Woman from Nature", Marie-Denise Villers (1774 – 19 August 1821), French
Orphic Inscendence
20 Dec, 22:28
"The Snow Storm", Hermann Kauffmann (7 November 1808 – 24 May 1889), German
Orphic Inscendence
20 Dec, 00:39
https://open.spotify.com/track/620F8zb1LlROk3FwbOA81r?si=JnXSTEYwSKO16T4KHz6W4g
Orphic Inscendence
20 Dec, 00:38
Me voilà, seule enfin!
De quelle ardente flamme
Brillaient les yeux de ce fier étranger!
Son orgueil, son courage en milieu tu danger,
Ont su toucher mon âme!
Pour être reine, hélas! cesse-t-on d'être femme?
Plus grand dans son obscurité
Qu'un roi paré du diadème,
Il semblait porter en lui-même
Sa grandeur et sa royauté!
De quelle ardente flamme
Brillaient les yeux de ce fier étranger!
Son orgueil, son courage en milieu tu danger,
Ont su toucher mon âme!
Pour être reine, hélas! cesse-t-on d'être femme?
Plus grand dans son obscurité
Qu'un roi paré du diadème,
Il semblait porter en lui-même
Sa grandeur et sa royauté!
Orphic Inscendence
19 Dec, 15:30
“Angel with a Christmas Tree”, Raphael Kirchner (5 May 1875 – 2 August 1917), Austrian
Orphic Inscendence
18 Dec, 23:40
"Magdalene Carried to Heaven (Detail)", Guido Cagnacci (13 January 1601 – 1663), Italian
Orphic Inscendence
18 Dec, 17:23
"Semiramis in Front of the Gates of Babylon", Flemish School, 16th Century
The painting depicts a battle between the Queen Semiramis and the lion at the gates of Babylon.
The painting depicts a battle between the Queen Semiramis and the lion at the gates of Babylon.
Orphic Inscendence
18 Dec, 13:12
"The Dying Lucretia", Damian Campeny Y Estany (1771 - 1855), Spanish
Orphic Inscendence
23 Nov, 11:21
"St John Evangelist", Domenichino (October 21, 1581 – April 6, 1641), Italian
Orphic Inscendence
21 Nov, 10:52
"Rusalkas", Ivan Kramskoi (27 May 1837 – 24 March 1887), Russian
Orphic Inscendence
19 Nov, 15:43
"As soon as the car stopped I jumped out, breathless. And maybe because I expected to see it from above like before, I had to look up to find that inverted liquid sky which flowed serenely towards boundless freedom. Great white birds gilded in the dizzying wind. My lungs, released, opened up and I breathed for the first time. For the first time, tears of gratefulness rolled down my face. Or was it the strong, pungent taste of that wind that bent over my mouth to kiss me."
- "The Art of Joy", Goliarda Sapienza
- "The Art of Joy", Goliarda Sapienza
Orphic Inscendence
18 Nov, 20:16
"The Mother Enthroned", Thomas Cooper Gotch or T. C. Gotch (1854–1931), English
Orphic Inscendence
17 Nov, 11:36
Et sa chaude poitrine est une douce tombe
Où je me plais bien mieux que dans mes froids caveaux
Où je me plais bien mieux que dans mes froids caveaux
Orphic Inscendence
16 Nov, 22:06
"Lesbia With Her Sparrow", Sir Edward John Poynter, (20 March 1836 – 26 July 1919), English
Orphic Inscendence
16 Nov, 12:57
"Storm at Sea off the Norwegian Coast", Andreas Achenbach (29 September 1815 – 1 April 1910), German
Orphic Inscendence
14 Nov, 10:31
"Procession in the Fog", Ernst Ferdinand Oehme (23 April 1797 – 10 April 1855), German
Orphic Inscendence
14 Nov, 00:07
"Street Musicians in Cairo", Rudolf Weisse (1846 - 1933), Swiss
Orphic Inscendence
13 Nov, 20:48
"The History Painter", Carl Spitzweg (February 5, 1808 – September 23, 1885), German
Orphic Inscendence
11 Nov, 19:26
Hevajra Mandala, 15th Century, Tibet
"Hevajra appears here in his three-headed and four-armed form. This manifestation is drawn from the Hevajra Tantra, a text revered by the Sakya order of Tibetan Buddhism, who likely commissioned this painting from a Newari artist from Nepal. Hevajra and his consort Nairatmya dance at the intersection of four vajra gateways, indicating their position at the center of the cosmos. His name is composed of two syllables: “he,” compassion, representing the male aspect, and “vajra,” wisdom, the female aspect, which together offer the path beyond this illusory world. The repeating skull symbolism references the impermanence of all phenomena. Beyond the celestial palace are the eight great charnel grounds, each presided over by a yogic master, or mahasiddha. On the reverse, in an ornate Tibetan lantsa script, are the Sanskrit mantra oh ah hum and mantra syllables configured in a stupa silhouette."(The Met)
"Hevajra appears here in his three-headed and four-armed form. This manifestation is drawn from the Hevajra Tantra, a text revered by the Sakya order of Tibetan Buddhism, who likely commissioned this painting from a Newari artist from Nepal. Hevajra and his consort Nairatmya dance at the intersection of four vajra gateways, indicating their position at the center of the cosmos. His name is composed of two syllables: “he,” compassion, representing the male aspect, and “vajra,” wisdom, the female aspect, which together offer the path beyond this illusory world. The repeating skull symbolism references the impermanence of all phenomena. Beyond the celestial palace are the eight great charnel grounds, each presided over by a yogic master, or mahasiddha. On the reverse, in an ornate Tibetan lantsa script, are the Sanskrit mantra oh ah hum and mantra syllables configured in a stupa silhouette."(The Met)
Orphic Inscendence
11 Nov, 18:31
At the frozen mountain peak,
A young God dissolves in flame.
On his melting face, a smile of serene bliss.
In a wooden room, fresh water flows,
Looks to the wind outside.
A young God dissolves in flame.
On his melting face, a smile of serene bliss.
In a wooden room, fresh water flows,
Looks to the wind outside.
Orphic Inscendence
10 Nov, 20:43
Come close, I wear the scent of things undone,
A wreath of roses bruised by fevered dreams,
Where every glance invites the crimson sun.
A wreath of roses bruised by fevered dreams,
Where every glance invites the crimson sun.
Orphic Inscendence
10 Nov, 19:33
"A Stag with Deer in a Wooded Landscape at Sunset", Carl Friedrich Deiker (1836 - 1892), German
Orphic Inscendence
09 Nov, 12:36
"Der Erlkonig", Julius Sergius von Klever (31 January 1850 - 24 December 1924), Estonian (Baltic German)
Orphic Inscendence
08 Nov, 17:34
"The Velveteen Rabbit", Gennady Spirin (25 December 1948), Russian
Orphic Inscendence
07 Nov, 10:37
"The Gentleman's Dream/The Knight's Dream", Antonio de Pereda y Salgado (c. 1611 – January 30, 1678), Spanish
"Aeterne pungit, cito volat et occidit." [Eternally it stings, swiftly it flies and it kills]
"Aeterne pungit, cito volat et occidit." [Eternally it stings, swiftly it flies and it kills]
Orphic Inscendence
06 Nov, 20:44
“What if I asked you to come with me? I'll teach you to walk the tightrope, way up in the air, with all the lights on you.”
— La Strada (1954) // Directed by Federico Fellini
— La Strada (1954) // Directed by Federico Fellini
Orphic Inscendence
06 Nov, 11:16
"To Blagovest", Mikhail Nesterov (31 May 1862 – 18 October 1942), Russian
Orphic Inscendence
05 Nov, 19:18
"The Race between Hippomenes and Atalanta", Noël Hallé (2 September 1711 – 5 June 1781), French
Orphic Inscendence
26 Oct, 09:07
"Christ Saved by Angels", Giovanni Lanfranco (26 January 1582 – 30 November 1647), Italian
Orphic Inscendence
25 Oct, 21:30
Orphic Inscendence
18 Oct, 10:35
"If he didn't wake up from this, if he wasn't here tomorrow, no matter. For I know he'd be waiting for me in the afterlife or some safe celestial place, in this life and the next and the next one after. And for whatever there is on the road that follows from here, it would only require my patience to get to him again. You see, to be in love with him makes life no great mystery."
- Phantom Thread (2017) // Directed by Paul Thomas Anderson
- Phantom Thread (2017) // Directed by Paul Thomas Anderson
Orphic Inscendence
14 Oct, 11:42
A group in the woods outside Orsova, Romania. April 1937. Orsova was part of the territory ceded by Hungary to Romania after the First World War.
Orphic Inscendence
13 Oct, 10:53
"The Breakfast Tray", Elizabeth Okie Paxton (1878 – 1972), American
Orphic Inscendence
12 Oct, 13:28
Orphic Inscendence
09 Oct, 13:59
"Rinaldo and Armida", Giovanni Battista Tiepolo (5 March 1696 – 27 March 1770), Italian
Orphic Inscendence
07 Oct, 23:09
"The Abundant Earth", Diego Rivera (December 8, 1886 – November 24, 1957), Mexican
Orphic Inscendence
07 Oct, 21:07
"Reverie", Armand Point (23 March 1860 or 23 March 1861 – February 1932 or March 1932), French
Orphic Inscendence
06 Oct, 16:01
"For whom would nature exist with no one to behold her? With no one to feel the swirling snow blowing ever colder? No one to fear the thunder with its mighty roar? No one to greet the wind blowing from afar? No one to hear the waves lapping at the shore? No one to scan the sky to spy the falling star?
For no one... for herself... for a lark."
- "Autumn Marathon" (1979) // Directed by Georgiy Daneliya
For no one... for herself... for a lark."
- "Autumn Marathon" (1979) // Directed by Georgiy Daneliya
Orphic Inscendence
06 Oct, 14:25
"Garden in a Monastery", Oswald Achenbach (2 February 1827 – 1 February 1905), German
Orphic Inscendence
06 Oct, 13:00
"Nymphs and Bacchantes Paying Homage at the Temple of Flora", Gérard (de) Lairesse (11 September 1641 – June 1711), Dutch
Orphic Inscendence
05 Oct, 20:07
"Elegant Venetian Lady with a Cigarette (Princess Ruspoli)", Jean-Gabriel Domergue (4 March 1889 – 16 November 1962), French
Orphic Inscendence
01 Oct, 09:37
"The Death of Cleopatra", Reginald Arthur (1871 - 1934), British
Orphic Inscendence
30 Sep, 20:52
"[...] The Stars – the Trinkets at Her Belt –
Her Dimities – of Blue."
- Emily Dickinson
Her Dimities – of Blue."
- Emily Dickinson
Orphic Inscendence
30 Sep, 16:23
"Diana and Her Nymphs Hunting", Sir Peter Paul Rubens (28 June 1577 – 30 May 1640), Flemish
Orphic Inscendence
27 Sep, 13:55
"The idolized beauties,
whose bodies glisten
like molten silver,
have a custom:
first, they test
the tormented hearts
of their lovers
by abusing and ignoring them.
But after that,
with affectionate fidelity
they approach!"
- Mir Ali Herawi
whose bodies glisten
like molten silver,
have a custom:
first, they test
the tormented hearts
of their lovers
by abusing and ignoring them.
But after that,
with affectionate fidelity
they approach!"
- Mir Ali Herawi
2,010
subscribers
7,546
photos
541
videos
