Непростительно долго мы ничего не писали о творческих союзах. Исправляемся и делимся с вами работами одного удивительного дуэта, сформировавшегося на Дулевском фарфоровом заводе. Речь идет о Маргарите Михайловне Шепелевой (Кожиной) (1916-1972), пришедшей на завод в 1947 г. сразу после окончания Московского института прикладного и декоративного искусства, и ее муже, советском скульпторе-керамисте Павле Михайловиче Кожине (1904-1976), в 1938 г. принятом на завод в качестве ведущего скульптора и к моменту появления в штате Маргариты Михайловны создавшем великое множество фарфоровых скульптур. Маргарита Михайловна в прямом смысле приложила руку ко многим декоративным произведениям мужа, облачив их в красочную, детализированную и оживляющую роспись, но сегодня мы обратимся лишь к прикладным работам этой семейной пары.
Оказывается, помимо мелкой пластики, Павел Михайлович оставил после себя значительное количество новаторских по форме посудных изделий, а Маргарита Михайловна дополнила их жизнеутверждающими рисунками. Союз пузатых форм и широких и ярких мазков в этих изделиях 1960-х гг. обнаруживает связь с богатым прошлым Дулевского завода и руководящую роль Петра Леонова, главного художника завода, стремившегося создать новый, национальный фарфор и обещавшего, что «пока мы верны народным традициям, Дулевский фарфор будет молодым и оптимистичным»…
P.S. Дополнительные изображения см. в комментариях к посту.
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It has been unforgivably long since this channel saw content on artistic duos, so we’d like to make it up to you and ourselves with a few designs by an incredible couple that met at Dulyovo Porcelain Factory, Margarita Kozhina (nee Shepeleva; 1916-1972), a Soviet artist who joined the factory in 1947 shortly after graduating from Moscow Institute for Applied Arts, and her husband, Pavel Kozhin (1904-1976), a Soviet ceramicist who was employed by Dulyovo as a chief sculptor in 1938 and, by the time his future spouse arrived, had created countless porcelain sculptures.
Kozhin’s figurines certainly benefitted from his wife’s bright, intricate, and lively décor – so did his functional pieces which, albeit much less numerous and lesser-known, are just as striking courtesy of their original forms and buoyant colors. Balancing between tradition and modernity, these rounded designs decorated by Shepeleva with her confident daubs of radiant colors are inseparable from the factory’s legacy and showcase the artistic leadership of Pyotr Leonov who was an ardent proponent of a new kind of ceramics, one with a national identity, claiming that “while we remain faithful to our folk beginnings, Dulyovo’s porcelain will be young and uplifting.”
P.S. For more images, check out the comments down below.
(photos: goskatalog.ru, auction-rusenamel.ru, dzen.ruuser curator_ivan, dfz.ru)
Mid-Century, More Than
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This is a bilingual channel about mid-century architecture and design.
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Mid-Century Modern: A Timeless Design Movement
Mid-Century Modern is a design movement that flourished in the mid-20th century, roughly from the 1930s to the 1960s. Originating in the United States and spreading globally, the Mid-Century Modern aesthetic is characterized by its emphasis on clean lines, organic forms, and a harmonious relationship with nature. Influenced by the Bauhaus and International styles, this movement found its voice in architecture, furniture, and graphic design, making it one of the most recognizable and beloved design styles to date. The ethos of Mid-Century Modernism lies in simplicity, functionality, and an appreciation for natural materials. Key figures like architects Richard Neutra, Charles and Ray Eames, and Mies van der Rohe pioneered designs that celebrated open spaces and minimalism. The movement also coincided with a post-war economic boom, leading to a suburban housing explosion that embraced this new architectural philosophy. As we explore this iconic era, we will delve into its historical roots, significant contributions to design, and how its influences endure in contemporary architecture and lifestyle today.
What are the defining characteristics of Mid-Century Modern design?
Mid-Century Modern design is known for its emphasis on clean lines and simple forms. Unlike its predecessors, which often featured ornate designs, this style focuses on functionality without sacrificing aesthetics. This movement also embraced the concept of 'bringing the outdoors in,' promoting large windows and open spaces that create a seamless transition from inside to outside.
Additionally, the use of natural materials such as wood and stone is a hallmark of Mid-Century Modern design. These materials not only serve practical purposes but also enhance the visual warmth and comfort of spaces. Bright colors are often used in accents or furniture, providing a contrast to the understated, neutral tones of walls and floors.
Who were the key figures in the Mid-Century Modern movement?
Some of the most notable figures in the Mid-Century Modern movement include architects such as Frank Lloyd Wright, who is often credited as a precursor to the movement with his 'organic architecture' philosophy. Other influential architects include Richard Neutra, known for his sleek homes that harmonized with nature, and Eero Saarinen, famed for his innovative structures like the TWA Flight Center.
In the realm of furniture design, Charles and Ray Eames made significant contributions with their iconic chairs and modular furniture that emphasized comfort and functionality. Similarly, George Nelson and Harry Bertoia created timeless pieces that are still celebrated in design circles today.
How did the socio-economic context influence Mid-Century Modern architecture?
The socio-economic landscape of the mid-20th century played a pivotal role in the emergence of Mid-Century Modern architecture. Following World War II, there was a significant demand for affordable housing as returning soldiers sought to settle down and start families. This led to the development of suburbs and a preference for functional, streamlined homes that could be built quickly and efficiently.
Furthermore, advances in materials and construction techniques allowed architects to explore new forms and designs. The popularity of automobiles also changed how people interacted with their environment, leading to homes designed with a focus on accessibility and open spaces rather than the more traditional compartmentalized floor plans.
What is the legacy of Mid-Century Modern design today?
The legacy of Mid-Century Modern design is evident in contemporary architecture and interior design. Its principles of simplicity, functionality, and a strong connection to nature continue to resonate with modern designers and homeowners alike. Many aspects of this aesthetic have been revived, appreciated for their timeless appeal and practicality.
Moreover, Mid-Century Modern furnishings have become highly collectible, with original pieces fetching significant prices at auctions and in antique shops. Additionally, the resurgence of interest in vintage and retro styles in recent years has further solidified the movement's enduring popularity in both residential and commercial spaces.
How can one incorporate Mid-Century Modern elements into their home?
Incorporating Mid-Century Modern elements into a home can be achieved through the use of iconic furniture pieces, such as Eames chairs or teak tables that epitomize the style. Choosing a color palette with muted earth tones accented by bold splashes of color can also evoke the Mid-Century vibe. Accessories like geometric patterns in textiles or artwork can help to finish the look.
Additionally, the layout of a space can reflect Mid-Century principles by emphasizing open floor plans that promote flow and accessibility. Large windows or glass doors can enhance natural light, creating a bright, airy environment that embraces the outdoor landscape, a key aspect of this design philosophy.
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