مسرح faustus 🪄

هذا جواب السؤال الثاني. وتريد منكم تكتبوله كم لاين من السبيج

وضيفو وياه هذا إذا تكرر هذا السؤال. اكتبو هذا اول شي وبعدين. الشرح مال السبيج

Polonius asks her about her relationship with Hamlet. She tells him that Hamlet claims to love her. Polonius sternly echoes Laertes’ advice and forbids Ophelia to associate with Hamlet anymore. He tells her that Hamlet has deceived her in swearing his love and that she should see through his false vows and rebuff his affections. Ophelia pledges to obey.

2-Claudius
3-Guildenstern

Q/Why Hamlet act like a mad ?



Hamlet is a play about revenge, but also about "madness," and in some cases, the two intersect and become one

When Hamlet returns to find his father, The King, dead and his mother Gertrude married his uncle Claudius .he is visted by the ghost of his father. The ghost indicates that his death was somehow the doing of his brother, Claudius

Hamlet learns that his father, the King, was murdered by Claudius. Now that Hamlet knows the truth, he knows that he is also in danger of being murdered by Claudius. Feigning madness is Hamlet’s attempt to stay alive in the house of a usurper.

Q/Who does polonius describe
Hamlet sequesness of madness?


Polonius believes that Hamlet has fallen into madness because of unrequited love. In Act I, Polonius advised Ophelia to reject Hamlet's romantic advances, warning her that as the prince, Hamlet does not have the freedom to choose his own wife.He told her not to respond to any more of his letters and to keep him at a distance. Now, in Act 2, he assumes that Ophelia's rejection is the source of Hamlet's insanity.
According to Polonius, Hamlet is insane because he is heartbroken over Ophelia. Since Ophelia's refusal of Hamlet's letters coincided with Hamlet's descent into madness, Polonius mistakenly concludes that the solution is for Ophelia to confront Hamlet and explain why she has been so distant of late. He thinks that Hamlet will return to sanity once he learns that Ophelia still cares for him.

بعض الاسئله من ست مسار
Q/talk about the tension
between Hamlet and Ophelia. (سؤال الكوز )

Hamlet 's sudden rudeness towards Ophelia started during Act 2, scene 2. He stated, Hamlet overheard Polonius 's scheme about letting his daughter go to him and find out what’s actually wrong with him. According to this, Hamlet would be aware that there is spies’ presence behind the arras in the Nunnery scene. Therefore, he knew his meeting with Ophelia was a plan by the King and Polonius. This lead to his distrust and hostility against Ophelia personally because he knew she was a decoy all along. Hamlet already trusted Ophelia with his love, but she basically broke it by listening to her father. Since, Hamlet expected so much from her, but without knowing she basically fails him by deceiving him. Thus, creates Hamlet bitterness against Ophelia

F
T
F
F
F

Hercules

HAMLET [Aside] A little more than kin,* and less than kind.

Horatio

Contrasted

Brnardo

woodcock
murder of Gonzago
Queen
Hamlet
letters
Norwegians

الفصل الرابع خلص هذني اهم شي بيه اساسأ اهم الفصول الاول والثالث
لهذا راح تمتحنكم بيهم
البقيه يجي منهم فراغات صح وخطأ اختيارات . بس اكيد لازم تقروهن وتعرفون الاحداث

The news of Ophelia’s death further inspires Laertes’s fury and desire to kill Hamlet. The manner of Ophelia’s death—suicide—shows that even she was more able to take action against her own life than Hamlet, whose endless musings on the value of suicide have led him nowhere.

Gertrude enters and announces that she has even more woeful news: Ophelia has drowned in nearby brook. Her body was found covered in “fantastic garlands” of flowers and cloaked in gorgeous garments, though she died a “muddy death.” Laertes bids Claudius and Gertrude goodbye and goes off to mourn his sister—when he’s finished, he says, he’ll be ready to take his revenge.

مهم ‼️

Hamlet's return to Denmark
creates the opportunity. Claudius is now so certain that Hamlet must die that his ego tells him they can murder Hamlet in front of Gertrude and have her be none the wiser. The plan that Claudius and Laertes devise is simple. He flatters Laertes regarding his fencing skill and Laertes becomes so eager to kill Hamlet that he devises a plan to poison his sword; the slightest cut will kill the prince. Claudius devises a backup plan; he will have a poisoned drink standing by for Hamlet in case Laertes fails to wound him. As usual, Claudius has concocted the plan so that even if it fails, it should not touch him.

المشهد السابع

As the scene begins, we find Claudius and Laertes together when Hamlet's letter arrives; Claudius has cunningly managed to convince Laertes of his innocence with regard to Polonius's death. Now his deception evolves even further, as he persuades Laertes to follow his lead in a plot to kill Hamlet. Laertes is so driven by revenge that he agrees, as long as he himself can be the one who deals a death blow to the prince.

Act 4, Scene 6
Summary
Horatio is approached by sailors bearing letters from Hamlet. One of the letters is for him; the others are for the king. In the letter to Horatio, Hamlet explains that en route to England their ship was overtaken by pirates, and he alone was taken prisoner. He explains the pirates are "thieves of mercy," and he is to do something for them. He asks that Horatio help the sailors get the other letters to the king and then have the sailors deliver Horatio to Hamlet. Having read his letter, Horatio departs with the sailors to find Hamlet.

Even in the depths of her madness, Ophelia continues doing traditionally womanly or feminine things-passing out flowers and entertaining the others with songs, even if her macabre tunes miss the beat.

In this passage, each of the flowers she passes out have different symbolic meanings-for instance, fennel represents sorrow, while daisies represent innocence, In this sense, they seem to represent Ophelia's own inner complexity and multifaceted personality, which has been stified and controlled by Polonius and other men up until this point.

Madness once again is central in this scene; this time the madness—real as opposed to feigned—is Ophelia's. It comes to the foreground as Gertrude and Claudius realize that Ophelia has lost control of her senses at her father's death (and the loss of Hamlet's affection). Her songs, though they may seem nonsensical, point to her concern with her dead father and the loss of Hamlet's affection.

هذا اهم مشهد Act 4, Scene 5

Back at Elsinore Castle, Ophelia has requested an audience with Gertrude. Having heard that Ophelia has been acting strangely since her father's death, the queen does not want to speak with her. But Horatio and other advisers suggest it might be better to speak with her than to let her wild talk and accusations fall on fertile ears. Gertrude submits.
Ophelia enters and is obviously in a disturbed state, singing and talking in a disconnected way. Claudius joins them and both king and queen are shocked by Ophelia's behavior.
When Ophelia leaves, Claudius informs Gertrude that Laertes has secretly returned from France after hearing of his father's death. As they speak, there is noise beyond their door, and a messenger enters to warn king and queen that Laertes, leading a riotous group of people, has come to see them. Laertes enters; though angry, he convinces his followers to wait outside. He confronts Claudius and Gertrude, demanding answers and his father's body. As the king and queen try to calm him, Ophelia returns, still singing, offering flowers, and wandering in her distraction. Laertes's anger is nearly overwhelmed by his grief at the sight of his sister. Claudius seizes Laertes's moment of weakness and, with comforting words and gestures, convinces Laertes to come with him so that he may explain the circumstances of Polonius's death. Claudius promises Laertes that he will give his crown and kingdom if they find him—or Gertrude—at fault, but otherwise they will stand beside Laertes and help him through this tragedy.🎭

Act 4, Scene 4
Summary
In this scene, set somewhere near Elsinore Castle, Hamlet, Rosencrantz, and Guildenstern are headed for the ship that will carry them to England. They pass Fortinbras and his army, which is passing Elsinore en route to Poland. Hamlet stops to speak with the captain whom Fortinbras has sent to greet King Claudius and thank him for permission to pass through Denmark.
When the captain presses on, Hamlet stops a moment, alone, and compares himself to young Fortinbras. He rebukes himself

for his failure to seek revenge for his murdered father when Fortinbras, another young prince who also lost his father, goes to war for honor over a worthless piece of land. At the close of this soliloquy, he again pledges himself to the act the ghost has assigned him.

Act 4, Scene 3

Claudius, by himself, talks of his intent to send Hamlet to England—a plan made all the more reasonable because Hamlet has killed Polonius. Rosencrantz and Guildenstern come to the king with Hamlet in tow. When Claudius asks the whereabouts of Polonius's body, he too is answered in riddles until at last, as if tired of the game, Hamlet tells them where to find the corpse.
Claudius then tells Hamlet they must send him away—for his safety—to England. Hamlet consents, and as he exits, Claudius instructs Rosencrantz and Guildenstern to follow, saying they must set sail tonight.
Once alone, Claudius reveals the papers he has sent with Rosencrantz and Guildenstern ordering Hamlet's death.

Act 4, Scene 2

Act 4, Scene 2 is short; the action is fast-moving now and Shakespeare uses the short, quick scenes to keep the excitement rolling. Hamlet plays his madness to the frustration of Rosencrantz and Guildenstern, who have been directed to find Polonius's body.
Often, particularly in the later scenes of the play, Hamlet's fiery speech and behavior seem fueled as much by his disappointment in some of the people closest to him as by his feigned madness. And, although his path is not clear to him yet, Hamlet feels more confident in his thinking and decisions. In this scene, even as he runs off with Rosencrantz and Guildenstern in pursuit, Hamlet is less about thought and more about action.

Although it is not his most famous soliloquy from the play, Hamlet’s ‘’Tis now the very witching time of night’ speech, which brings Act 3 Scene 2 to a close, is notable for the imagery Hamlet uses as he prepares to go and speak to his mother, Gertrude

Hamlet hopes aloud that he will not be cruel towards his mother—even if he “speak[s] daggers to her,” he hopes to “use none.”

In act 3, scene 2, Hamlet's "Wormwood, wormwood" signifies the bitterness he feels as he hears the Player Queen declare that remarrying after a spouse’s death is akin to treason. This is particularly harsh for Hamlet because it mirrors his mother Gertrude's actions, who married Claudius after King Hamlet's murder. The term "wormwood" refers to a bitter plant, underscoring Hamlet's emotional pain.

Hamlet calls the play "The Mouse-trap" and describes it as a representation of a murder committed in Vienna. The play is actually a strategic move by Hamlet to gauge King Claudius's guilt over the murder of Hamlet's father. Hamlet is hoping that Claudius's reaction to the play will reveal his guilt.
This is a classic example of dramatic irony, where the audience knows more than the characters in the play. We, the audience, know that Hamlet is using the play to trap Claudius, but Claudius is unaware of this. This makes Hamlet's character complex and intriguing, as he is not just a passive character but is actively trying to uncover the truth.

Horatio enters, and Hamlet expresses how glad he is to see his true friend. Horatio is overwhelmed by Hamlet's warmth, but Hamlet insists that Horatio is a loyal companion, a level-headed man, and a morally good person. Hamlet tells Horatio that, because of all these things, he is entrusting him with a secret. Tonight, ى

hamlet to the players
- he is describing how they should act

With the revised play, he intends to present a scene that mimics the details of King Hamlet's death. He hopes that with art mimicking reality, he will catch Claudius in his guilt. Hamlet does not want to seek revenge until he is sure of the ghost's honesty.

Hamlet to the players
- he is saying that you're delivery of the lines has to flow as if this was the original part of the play
he is giving them acting lessons showing his knowledge of plays
- he wants to expose the king and reinact what Claudius did to the King
- the groundlings are the poor people who were not rich enouch to buy seats to the play, they would yell things at the players. Hamlet is being disparriaging toward them, saying not to pander to the groundlings becuase they wont be there in this private performance.

Act 3, Scene 2
Summary
Hamlet coaches the actors in anticipation of the performance they are about to give for Claudius, Gertrude, and the rest of the court. As the players leave the prince to ready themselves, Polonius, Rosencrantz, and Guildenstern enter, announcing that the king and queen will join them shortly. Hamlet sends the three of them off to hurry the players just as Horatio arrives.
Hamlet tells Horatio of his plan to use The Mousetrap—his version of The Murder of Gonzago—to catch the king off guard. He further reports that he has amended the presentation so that one scene re-creates what the ghost told him to be the circumstances of his father's murder. Most importantly, Hamlet instructs Horatio to watch the king's reaction.
As the play unfolds, Hamlet's additions to the original piece make for a strong, disturbing performance. It becomes too much for Claudius, who leaps to his feet and leaves. In the ensuing confusion, the play is halted, and all leave but Hamlet and Horatio, who recap what they've just seen.
Rosencrantz and Guildenstern enter, telling Hamlet that the queen wishes to see him. They go around and around with Hamlet, trying to convince him to go to the queen. They are joined by Polonius, who speaks to Hamlet as if he is humoring a fool. They rouse Hamlet's anger, and he sends them off with word that he will join Gertrude soon. Left to his own thoughts, Hamlet's resolve to kill Claudius rises again, even as he plans to visit Gertrude.

Polonius to Claudius

Polonius obsequiously agrees with Claudius’s plan, but suggests that before sending Hamlet to England, Claudius should make one final attempt to get to the root of Hamlet’s madness by having Gertrude confront her son. Claudius agrees with Polonius’s advice, stating that Hamlet must be closely observed Claudius and Polonius know they must be careful—if they upset Gertrude by taking Hamlet away, their plans could backfire on them..

خلص المشهد الاول من Act3

Hamlet when speaking to Ophelia, he describes her as a "nunnery". Clarify Hamlet's point of view.

هذا السؤال اجه سنه من السنين فاينل على هذا السبيج 👆

هنا هاملت وصف اوفيليا بالراهبه

Hamlet to Ophelia

Hamlet warns Ophelia to stay away from him because he is a sinner. She is better off far away from his corruption. Hamlet knows that he can go off at any second and wants Ophelia to be safe from his wrath.
from his deep-seated anger and disillusionment with women, largely due to his mother's hasty remarriage. Additionally, Hamlet may be using Ophelia to further his facade of madness and to drive her away for her own safety, knowing the dangerous path his quest for revenge might take.

Ophelia to Hamlet
- basically saying that when he came into her room and was acting crazy he was no longer sweet to her

Ophelia greets Hamlet and asks how he’s been doing. He tells her he’s been well. Ophelia tells Hamlet she has some “remembrances” to give back to him. Hamlet doesn’t even see what it is she has to give to him before insisting he never gave Ophelia anything. Ophelia insists that Hamlet gave her many gifts and sweetly-composed letters—but says that the joy they once brought her is gone, and she doesn’t want them anymore.

اهم سبيج بالمسرحية كلها
اول سطر يجي فراغ
To be or not to be

Hamlet in his sililoque
- he is basically saying alive or dead that is the question, it applies to himself and to everyone around him
he is basically asking if it is better to endure or fight the bad luck and troubles that face you
he is saying that the problem with death is that no one knows what happens after death,
METAPHOR sleep for death
- METAPHOR dream for the after life

. The phrase “by opposing end them” seems noble or glorious, but what it literally means is to vanquish one’s “outrageous fortune” by ending one’s life. Thus Hamlet presents his lack of suicide not as the result of insufficient desperation, but rather his apathy from wishing to take on such a fight. Life becomes, for him, a constant decision of whether he will finally arrive at sufficient motivation to shift course and end his and/or Claudius’s lives.

King to himself
- he is basically agreeing with what Polonius said and is saying that he is a hypocrite
- king confesses to us in this aside

murder of king ham, very important comment: admits he's guilty of the crime, and shows us he has guilt; this is important bc he has only one soliloquy in the whole play so this is important to know that he's guilty, makes him more nervous about hamlet

عدكم هنا بهذا السبيج اول لاين من الملكه للملك
I shall obey you هنا الكلام موجه للملك
كالتله سأتبعك يعني اتبع كلامك
Gertrude to Claudius
- shakespear is sexist and portays women as pawns to the men in their lives rude


بعدين هذا And for your part…….
هذا الملكه لاوفيليا

Queen to Ophelia
this whole interchange is very ironic, because Hamlet will attack her virtue
-gertrude loves ophelia, wants this to bring them back together, there are two distinct reasons for this encounter: gertrude is concerned about hamlet out of love, claudius is concerned about hamlet because he doesnt want to get caught
- she is basically saying that she hopes that Ophelia is the cause of Hamlets madness

Act 3 scene 1

King (Claudius )to queen (Gertrude)

When they leave, Claudius sends Gertrude off so that he, Polonius, and Ophelia can plan the "chance" meeting between Ophelia and Hamlet. Through this staged meeting, Claudius and Polonius hope to test Polonius's thought that it is Hamlet's love for Ophelia that is so distracting him.

Act 3, Scene 1

هذا الفصل مهم
Summary
Claudius and Gertrude interrogate Rosencrantz and Guildenstern about their discussion with Hamlet. The men have little to report except that the company of players who arrived shortly after they did seemed to have interested and pleased the prince, and that he has directed them to perform for the court this evening. Claudius sends Rosencrantz and Guildenstern to watch the prince and encourage him in this endeavor.

When they leave, Claudius sends Gertrude off so that he, Polonius, and Ophelia can plan the "chance" meeting between Ophelia and Hamlet. Through this staged meeting, Claudius and Polonius hope to test Polonius's thought that it is Hamlet's love for Ophelia that is so distracting him. They instruct Ophelia to stroll the hall, seemingly absorbed in a book, while they hide nearby to watch and listen.

Hamlet eventually appears, lost in his thoughts and apparently contemplating suicide. Catching sight of Ophelia, he interrupts his thoughts to speak with her. Ophelia tries to return some gifts he gave her, but, suspicious of her motives, he denies they are from him. He further denies that he loved her, which serves to bewilder and wound Ophelia. The two have an impassioned discussion, reeling in confusion and a mutual feeling of betrayal. Hamlet orders her to a nunnery and leaves.

Claudius and Polonius come to Ophelia's side, shocked by what they have witnessed. Polonius insists Hamlet's love for Ophelia—love that Polonius made her refuse—is at the root of the prince's madness. Claudius, already beginning to show a guilty conscience as an earlier aside suggests, is now convinced that Hamlet is brooding on something bigger—something that could be dangerous to his position. Although he initially refutes the idea that Hamlet is mad, he does say that madness should not go unchecked. He decides to send Hamlet to England, away from the stress of Denmark. Polonius agrees that sending him abroad is the best course, but also suggests trying one last idea: sending the queen to speak with Hamlet after the play that evening, while he (Polonius) hides nearby to witness the conversation.

ملف Act 2

خلص المشهد الثاني 🙆🏻‍♀️

واخيراً آخر سبيج هوه soliloquy هاملت مهم هذا

Alone, Hamlet begins a lengthy monologue in which he laments that while even an actor reciting a work of drama could rouse in himself such emotion and feeling, Hamlet himself can feel—and do—nothing in the face of his own father’s murder. Hamlet calls himself names, curses himself, and berates his own cowardly inaction. He resents himself for being unable to stir up the anger and vengefulness he would need to man up and murder Claudius.

What do we mean by a play within play?

Throughout Act II, the depiction of the theatre is a clear symbol of manipulation and action. Hamlet uses the play within a play to see if Claudius reacts guiltily to the reenactment of his father's murder. Hamlet's manipulation of the events on stage further highlights his complex and dangerous mentality.

توضيح لنهاية المشهد هذا التوضيح
هنا عدكم الممثلين راح يمثلون فد مشهد معين
هذا المشهد من خطة هاملت حتى يتأكد ان كان عمه هوه القاتل
هاملت خله اصدقائه براقبون عمه وأمه أثناء تمثيل المسرحيه حتى يشوفون ردة فعل عمه من يشوف احداث يمثلونه نفس الأحداث الي هوه سواها وشلون قتل اخوه حتى يستلم الحكم
أثناء عمل المسرحيه والممثلين ديمثلون ارتبك الملك وشرد لان الأحداث ذكرته بفعله ويه اخوه هرب من هرب هنا هاملت تأكد هوه وره الحريمه وصلت 🌚 هاي الأحداث كلش مهمه ولدكتوره او الدكتور راح يسألكم سؤال بخصوص الي هوه

Play within play
وخاصه ست مسار تحب هالسؤال

A trumpet sounds—the players are arriving. Hamlet exuberantly shakes the hands of Rosencrantz and Guildenstern, insisting on giving them as warm a welcome as he’s about to give the players. Before the troupe enters, Hamlet warns Rosencrantz and Guildenstern that they can expect to see Hamlet’s “uncle-father and aunt-mother deceived” and confused to boot. Hamlet cheekily suggests that he is only mad on occasion—in other words, his craziness and melancholy are an act.

هنا محاوره بينهم عن ممثلين يمثلون على المسرح ف اي سبيج من ذني عادي يتقبل هذا الشرح


Rosencrantz suggests that if Hamlet has lost the ability to enjoy the company of real people, he might be charmed and brightened by a troupe of actors. Rosencrantz says that he and Guildenstern passed a troupe of players on their way to Elsinore, and have invited them to come perform at the castle. Hamlet says the actors will be welcomed—if they play their parts well. Rosencrantz tells Hamlet the troupe is one that Hamlet used to love and visit often in the city.

Hamlet cheekily offers to tell the men the reason for which they’ve been sent.

lost all interest in socializing, and become unable to see the gorgeous halls of Elsinore and even the majesty of the natural world beyond it as anything other

Hamlet with his friends

Hamlet asks them to confess anything about coming here to see him, he doubts them because their faces look confused , he knows that the king and Queen sent them , he says frankly in front of them, at first they try to deny , but Hamlet remembers their childhood together and the beautiful moments in their childhood to be honest with him, whispering among themselves, will they confess or not